The first will be the last....or when to stop painting

Finally it's done! This was actually the first painting I started after visiting the Kickapoo Valley, but it became the last one to finish. As I wrote in an earlier blog entry, this one has spent a lot of time sitting close by, in the corner of my eye while I'm at work, just to see if it will stand the test.
This was one of those paintings that immediately had a strong presence, in just the first layer of color I put on over the colored ground.As the first layer dried, I started the two other paintings but somehow this one was so strong already that I became reluctant to work on it further. There is this strange thing that sometimes happens, I could see myself that the painting looked great but because it was just the set-up in my opinion, I had trouble in accepting that it might be really done.
And there is also the experience built up over many years of painting, that even though a painting may look great from it's first sketchy set-up, it will look even greater after it's been worked on for many more hours.
This pictures very well what process is going on between the painter and the painting, you start out with an idea and after that the idea/painting get's a life of its own and an ongoing conversation starts between the painter and the painting. Do I stick with what I had in mind or am I going with the unexpected possibilities that are being offered by the painting?
Often I feel the dilemma of calling a painting finished when in my eyes it's just the beginning versus working on. There are pro's and con's for each choice. First set-ups are usually beautiful in all their spontaneity, focused on the big picture instead of the details. But sometimes they are also too representational for what I'm after, which is a more distilled/abstracted view of the landscape.
Famously, what looks great at the start often gets lost in the process of adding more layers, but many years of painting also taught me that almost always something better comes out. Adding more layers makes the colors richer, as I work in very thin, almost glazing layers of oil colors, and colors from the underlying parts shine through the top layer, giving the painting a deep glow of color as well as movement. The con on this can be a sometimes too polished look, but that is easily undone by adding some more glazes and using a palette knife and a rag to scrape and rub off paint.
Anyway, this time I decided to go with the first one, I did not add too much more to it, just cleaned up some rough parts in the sky and added some more light in the foreground.

Kickapoo valley #1, 30x40 oil/canvas captures a mid-summer day in late afternoon where clouds provide a dramatic light effect.

An inspired art weekend, part two

The second part of our weekend trip (now already some weeks ago) consisted of delivering some more small paintings to The Commercial in Alma. The first batch was already there but the ones I delivered now had been waiting for their frames.
The paintings, of which you see three here are part of a series of small abstracts in oil/cold wax. It's only over the past few years that I developed a taste for exploring small size paintings, and I like the idea of combining a couple of small paintings to create a collage like art work of its own. As in exhibitions, by arranging art work in different ways, you get a new result every time, which I think is interesting.

The (museum quality)floater frames are from Metropolitan Frames from Minneapolis. I order them unfinished and finish them myself in either a whitewash or tinted wash, depending on what the painting asks for, then they are finished with wax.

The Commercial is one of the most interesting gallery/stores that I know here in Wisconsin. Owner and friend Kristine Kjos is a multi talented artist herself and her space breathes her very unique and individual style throughout, both in the layout of the store as in the choice of artists she represents. Her way of displaying and arranging objects and art invites you on a journey through the whole store,where moods are created from playful to dreamy and from tactile to serene.
This weekend (November 24/25)is Holiday Open House at The Commercial, but all through the remainder of this month and December you will be able to find artful and one of a kind gifts there. Some of Kristine's creations will be part of the Polderland = Wonderland show in my gallery on December 7,8 and 9.

A very inspiring art weekend

Last weekend we made a very inspiring trip. My husband had to pick up something in the Minneapolis area for our bulb business and I had to deliver some more small paintings to my gallery in Alma, The Commercial. My friend Rebecca Crowell happens to live in that neck of the woods too, so we made her the first stop on our trip. This was the perfect opportunity to catch up on art talk and studio visits. We do email each other regularly and exchange photo's of works in progress asking for comments and critique, but nothing compares to the real studio visit!
Now, maybe I should explain that I have something with artist studio's, maybe all artists have, maybe not. I just love to be in art studio's.
Rebecca's studio is one I love in particular - you have to go down the steps from her house to the big barn that is her studio. Rebecca always puts smaller works in progress on the right hand wall and it was full of jewels. A series of small squares and rectangles, mostly in warm colors, a medium sized painting consisting of three panels in a wonderful combination of blues and rusty reds, the top panel being an esoteric pale blue with a vague imprint in foggy red. I just wanted to take them all for the Polderland = Wonderland event on December 7,8&9!
Then it was on to the larger works, now all beautifully lit by new daylight lamps, installed by her husband Don. What a difference that makes. No folks, we do not all have that perfect northern light exposure studio you always read about, most of us have to make do with what we can find.
As you may have read from Rebecca's blog, the demand for her work is growing, which places her in a position that is both wonderful and demanding. We've talked a lot lately about how to keep the integrity in your work while at the same time producing more of the same. Rest assured, she can do it! I've seen some wonderful new paintings, the one that is behind her in the picture is my (now) favorite, a panel of pale blue and white embedded in panels of deep earthy colors and golden yellow and coppery tones. Wonderful textures, lots of depth. Much more was in progress and looking very interesting, some new colors that I have not seen from her before. And then we had to talk paint of course...
The next morning we woke up to a beautiful sunny and mild day that lured us for a walk in the fields and over the hills, taking in many beautiful fall vista's, one of those I include.

the Kickapoo Valley

 
 

More time has passed between the last entry and this one as I planned, but sometimes sitting at the computer is not as appealing as putting paint on canvas....
These two paintings are a result from a trip in July through the Kickapoo Valley in Wisconsin. A friend told us about that area and on our way back from a visit to friends in Alma we took this scenic route back. Meadows and roadsides were in full bloom, the trees still had very fresh greens in them, not the sometimes tired dark green from late summer and the time of day was a perfect one for the late sunlight. I made quite a few 'photographic' sketches and worked with those and my memory on a series of landscapes over the summer. These are the first two that I consider really DONE, another one looks like done? but I'll have to live with that one for a while longer before I know for sure if it's really done. This is the 'corner of the eye' period in which the painting sits within my view all the time - if it irritates me or if I get bored with it, it moves back to the easel, if not, you'll see it here very soon....
In September we visited this area once more and it looked very different, it had been hit by late August's heavy rainfalls and many areas had been flooded as we could still see. Lots of old trees had come down and there were still mud traces visible. Landscapewise this is a very beautiful area, rolling hills, fresh meadows and trees in the valleys, diverse agriculture, Organic Valley's headquarters are here too so I'm assuming a lot of organic farming goes on here, and we also saw some Amish farmers. The last ones provide the landscape with their wonderful traditional haystacks. I only remember those from my very early childhood when they were called 'hooi oppers' in Dutch. Think of Monet's series of paintings of haystacks at different light settings to visualise the shape of a soft rounded mound of hay.